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In San Francisco, a woman tries to track down her husband, who is hiding from a killer and from the police.
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n the beach one night, Christine Faber, two years a widow, thinks she hears her late husband Paul calling out of the surf...then meets a tall dark man, Alexis, who seems to know all about such things. After more ghostly manifestations, Christine and young
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A society reporter keeps herself in the headlines by marrying a series of wealthy men. They all die mysteriously afterwards though.
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An atmospheric film starring Charles Russell and Mary Beth Hughes. Fritz Leiber, Sr. (father of the famous author) has a cameo as a seer or psychic.
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Beat the Devil This movie has not become a cult classic for nothing. Among its other merits, it is one of the few films where a film noir is mixed with a comedy. It’s a whose who of actors of it’s vintage and is directed by John Huston. It sta
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Steve McQueen stars in a gritty, downbeat, and sometimes savage heist movie that features a gang of very psychologically warped men and a story that's based on an actual crime. Warning: this film is devoid of humor, wit, cheerfulness, glamor, and mercy. I
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Edmond O'Brien and Frank Lovejoy pick up a hitch-hiker (William Talman) who turns out to be an insane escaped convict.Featured
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The action begins when a car occupied by the corpse of a sleazy private detective glides down a hill and winds up in front of a police station. (The title of the film stems from the fact that police stations used to have green lights at the entrance.) Som
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German director Fritz Lang is best known for the highly influential films from relatively early in his career, especially Metropolis (1927) and M (1931). But he also had a brief Hollywood heyday during the mid 1940s, when he made some of his best films. S
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"Wealthy businessman survives attempt by wife to have him killed, makes it look like she succeeded and starts a new life in small town as auto mechanic. Variation on idea elevated to noir importance by The Killers (1946), where victim of femme fatale trie
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D.O.A. (1950) is a film noir drama film directed by Rudolph Maté, considered a classic of the stylistic genre. The frantically-paced plot revolves around a doomed man's quest to find out who has poisoned him – and why – before he dies.
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Set Connecticut after World War II, The Stranger is a cat and mouse game between Wilson (Edward G. Robinson), a member of the Allied War Crimes Commission and Franz Kindler (Orson Welles), a Nazi who has assumed the false identity of Dr. Charles Rankin. T